While the stages are the same whether you’re playing alone or with a friend or two, the myriad approaches you can take toward tackling any of them warrants at least a second playthrough of Trine 2. I got the jar stuck a couple of times and had to create blocks to nudge it back into place, but it was well worth it.
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I once ignored a series of grapple points that led to an experience jar and opted to move objects with Amadeus’ magic to knock the jar to the ground. You can go for the obvious solution or stumble through a sequence in an absurd manner that takes 15 minutes longer but satisfies your creative desires. Frozenbyte has built a two-dimensional playground that’s difficult to pull yourself away from and they know it.Īnd although Trine 2 features a heap of puzzles, there’s no one way to solve a single one. Many of the game’s achievements ask you to perform wacky feats, such as shooting arrows into the air as Zoya and switching to Pontius in order to catch them with his shield or stacking eight items with Amadeus and attempting to balance yourself on them. If you’ve got the rig to handle Trine 2 on its highest settings, by all means, do yourself a service and indulge - XBLA and PSN players won’t have this problem. Unfortunately I had to play with the graphics set to “medium” in order to run the game smoothly on my laptop, but the slowdown I experienced on “very high” to snap my screenshots was more than worth it. Yes, the mage can lift enemies into the air and the thief can stick ‘em with arrows, but when there’s more than one enemy to focus on odds are you’ll end up back at the checkpoint anyway when all your characters die and you respawn.Īlthough the control is tight for each character, the environments are so laden with hazards, some of which lie just beyond your view, that you’ll often find yourself plummeting into a pit of spikes or plunging headfirst into a stream of fire.įortunately you’ll die a beautiful death because the game’s environments are an absolute sight to behold. What’s more is that in frantic melees, if Pontius goes down, Amadeus and Zoya’s best bet is to rush back to a checkpoint orb to revive him. The combat, while beautiful in its simplicity, doesn’t help much when you’re fighting an overwhelming hoarde of enemies. To be honest, it’s wholly necessary for the checkpoints to be as frequent as they are but it’s for all the wrong reasons. These checkpoints usually show up before a tricky puzzle or well-populated enemy outpost, so re-gaining the upper hand is as easy as retreating to the orb and replenishing your life.
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When you run past them, each of your characters is returned to full health and revived if dead. Health pickups are scarce in Trine 2, but it’s never really an issue because checkpoint orbs are scattered throughout the game’s 13 levels.
In the single-player campaign, you have the option of switching between all three characters at any given moment and each adventurer has his and her own health bar, so if you find your mage running low on life you can quickly switch to the knight or thief in order to preserve your platform creator. So if all three of you want to swing freely from rafters as Zoya, so be it. What’s more is that unlike most other cooperative platformers, every player can assume the role of the same character. The game allows up to three players onscreen at once. The same can be said of the combat and, my personal favorite, the grapple hook. And it’s not just the jumps that feel so good to pull off creating and moving objects with Amadeus is precise yet simple. It’s even rarer to find a title where it’s true of three different characters. It’s not often you’ll find a platformer where timing jumps becomes second nature before the end of the first stage. The biggest feather in Trine 2’s cap is the game’s physics engine.
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